Hans Zimmer didn't see a film until he was 12 years old. Since then, he's scored over 150 films, including Inception, The Lion King, and The Dark Knight. In his MasterClass, the self-taught Academy Award-winner teaches how he creates sounds from nothing, composes compelling character themes, and scores a movie before ever seeing it. By the end, you'll have everything you need to start film scoring.

Hans Zimmer didn't see a film until he was 12 years old. Since then, he's scored over 150 films, including Inception, The Lion King, and The Dark Knight. In his MasterClass, the self-taught Academy Award-winner teaches how he creates sounds from nothing, composes compelling character themes, and scores a movie before ever seeing it. By the end, you'll have everything you need to start film scoring.

An avant-garde figure in filmmaking, David Lynch introduced mainstream audiences to art-house films. 　　Now the Oscar-nominated director of Mulholland Drive teaches his cross-disciplinary creative process. 　　Learn how he catches ideas, translates them into a narrative, and moves beyond formulaic storytelling. Embrace the art life in David’s MasterClass and learn to test the boundaries of your own artistic expression in any medium.

An avant-garde figure in filmmaking, David Lynch introduced mainstream audiences to art-house films. 　　Now the Oscar-nominated director of Mulholland Drive teaches his cross-disciplinary creative process. 　　Learn how he catches ideas, translates them into a narrative, and moves beyond formulaic storytelling. Embrace the art life in David’s MasterClass and learn to test the boundaries of your own artistic expression in any medium.

有关2014年著名电影配乐家Hans Zimmer在伦敦举行的音乐会的纪录片

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This series is above the expectations they had about it. It is very fast (beyond the tempo of each episode) conflicts are able to develop and resolve in each episode. Which for one as a spectator is very good since the rhythm is never lost. 　　On the other hand, humor management is constant and gives it its point of grace so that conflicts, which are very deep, can occur with a lightness that catches. 　　The chemistry that Paula Usero and Carol Rovira keep in the series is the same as they have in "Love Is Forever" so in just 10 minutes they catch you in a way that when you already see them together you already know that everything will work out , they are the basis of this series and the writers notice that they know it since the series is by and for them.

This series is above the expectations they had about it. It is very fast (beyond the tempo of each episode) conflicts are able to develop and resolve in each episode. Which for one as a spectator is very good since the rhythm is never lost. 　　On the other hand, humor management is constant and gives it its point of grace so that conflicts, which are very deep, can occur with a lightness that catches. 　　The chemistry that Paula Usero and Carol Rovira keep in the series is the same as they have in "Love Is Forever" so in just 10 minutes they catch you in a way that when you already see them together you already know that everything will work out , they are the basis of this series and the writers notice that they know it since the series is by and for them.